Hexagon
I am experimenting with geometrical forms in nature here.  The starting point for this is a crystal but I am intentionaly bluring lines with painting.
The Philosopher's Stone
Pythagoras, Escher, Siderite

This is a modified image of a mineral siderite.  It has what is called a rhombohedral cleavage (how the rock breaks).  I simply enhanced the natural colors.  The bottom half was created with "Particle Shop" which is a Photoshop Plug in creating additional geometric enhancement.  Xrays are used to look at crystals structures whose wavelength is a few orders of magnitude smaller than the width of a human hair and het you could hold this mineral in a hand.
Cleavage

This is a rock.  I hand mapped the cleavages and shifted the color spectrum and intensity.

The source material is a mineral anorthoclase which has perfect cleavage in one direction.


I wanted to express a connection between the natural cleaveages of cryslaline structures forged in volcanos and painting.  Many abstract artists worked with color fields.  as I paint over the texture of the rock the connection to natural processes is not as strong.

it is interesting to look at the work of these artists.

monet - monet was one the first to use texure and color as art in itself.  before this time art was morfe m like photography but what is ingteresting is as photogrphy became more possible with the advent of technology art moved towards abstact fors as it did in monet.  I recently spent some time looking at this.

bridge over a pond of water littlies - monet - metrip;olitan museum of art nyc





Then there is Mondrian who use rectangular forms.  In these sense he moved away from complex shapes to use color to express movement even in a static color field.

Rothko use color in even more fixed formed ofter rectangular to invite the viewer into another world though meditation. 

I take from the example of these artists although I am not trying to duplicate them.  I want to show that God is inviting us into the world of nature to see his kingdom.  Science cannot penetrate it with its technology and instruments but art can.
Euclid
Published:

Euclid

Published:

Creative Fields